|
Scarf not frightening or foreign but freeing
By Lina Hashem
1999 Scholar
Posted: Nov. 24, 2000
Every morning, as I get ready for work, I pick out one last
article of clothing. In Egypt, they call it "hijab," in Iran,
a "chador."
I call it a scarf.
I fold the little cloth into a triangle, pin it over my hair
and head out the door. As I glance in the mirror to make sure
I've pinned it straight, it looks as much a part of me as
my shirt and jeans.
But when I see the same scarf on someone on television, a
movie, or a film in class, I realize how many millions of
Americans see it -- as something different, something other.
On the television news, the scarf often is a shapeless, all-enveloping
black tent, worn by wailing women or surging masses of protesters.
In the newspaper, it's sometimes used as a symbol of foreignness.
Like the time the wire services sent along a photo of a scarfed
woman to illustrate a story about weapons inspections in Iraq.
In movies like "Not Without My Daughter" and "The Siege,"
women wearing scarves walk down the street to the sound of
ominous music portending sinister events -- perhaps the abduction
of a child or a terrorist bombing.
In women's studies or political science classes, scarf-covered
women appear without fail on the TV screen just in time for
the narrator to solemnly pronounce words like "oppressed,"
"primitive" or "fundamentalist."
I often have wanted to scrunch down and hide behind the little
foldable desk attached to my seat.
But, when I'm in my other world, the scarf looks different.
It looks like my mom.
It looks like many of my friends.
It looks like the quiet comfort of my mosque.
It looks like holiday celebrations.
It looks like me.
It also looks like the Muslim women who have worn scarves
for 14 centuries, in dozens of ways and in dozens of countries.
Orthodox Islam requires women to wear it when they reach puberty.
In some Muslim countries, even small girls wear it, while
in others, only old women knot it under their chins.
But as my women's studies classes, along with certain media
portrayals and a number of actual discussions with people,
have made it painfully clear, too many Americans think the
scarf has meant one thing for these women -- a symbol of subjugation.
I beg to differ.
First, I have to say it's true that some Muslim women in
some countries have been oppressed and mistreated.
I would argue that this is directly in defiance of Islam,
however, not because of it. But for the moment, I'll spare
you a thesis on the rights of Islamic women and just stick
to the scarf, which -- poor little piece of cloth! -- gets
waved around by all sides as the symbol of the entire religion.
What is this scarf, really?
If Islam were a tree, the scarf would be one leaf on the
same twig with all the guidelines for modesty for both men
and women. Muslims believe that God created humans and all
their strengths and weaknesses, and he created guidelines
for how to best deal with his creations.
We believe the attraction between the sexes is a gift from
God, but belongs within certain parameters. If it gets out
of hand, you can end up with a community where sexual images
and innuendo pervade all aspects of life, including advertising
and television -- where half of all children are raised in
single-parent households and grow up too fast, mainly on their
own.
Hmm ... Sound familiar?
So Muslims try to act responsibly by making a conscious effort
to attract no one except their spouses. As one Muslim speaker
likes to say, "I'm not out to please every Tom, Dick, Harry
and Muhammad."
Both men and women in Islam, then, are to act modestly and
dress modestly. Women cover everything but their faces and
hands. Men cover from their stomach to their knees, and also
should loosely cover their chests. What should be covered
in public differs for men and women because what's under the
clothing is different.
No one has ever forced me -- or even asked me -- to dress
the way I do. The day I first braved the doors of my high
school with a scarf on my head, I did not even tell my parents
until I got home.
As the Quran, the holy book of Islam, says, "There is to
be no compulsion in religion."
Instead, I wear a scarf because it makes perfect sense to
me. I don't see this as oppression, but liberation.
To me, oppression is being judged on the basis of the shape,
color and size of your body rather than on something you can
control. Oppression is having your body used as a commodity
to sell everything from frozen foods to fast cars.
I like the power that comes with being able to choose what
elements of myself I want people to judge me on. It's like
telling people, "Look at my mind, look at my personality,
look at me."
I'm not expecting everyone who reads this to agree and start
wearing scarves. What I resent, though, is when people - and
these are a minority - seem to feel that mainstream American
values are the gold standard for humankind, and the values
I live by and dress by are strange, inferior, outdated or
in need of change.
It also amuses me that America tends to see the scarf as
something foreign. Western civilization considers itself an
inheritor of ancient civilizations like Mesopotamia and Babylonia
-- societies where upper-class women wore scarves as symbols
of morality and social status. Scarves also are found closer
to home. Jewish women cover their heads for Shabbat. Several
of my friends and I have been mistaken for nuns.
And look at any painting of the Virgin Mary -- she wore a
scarf much like mine.
But, still, many people see my scarf as foreign. A car full
of young men did last year, when they chased my friend's car
(with me in it) down a street near campus, shouting obscenities.
My downstairs neighbor does too, judging from her response
when she first saw me: "We don't need no f---ing Indians around
here." (She got the wrong continent and wrong religion, but
you get the picture.)
The scarf is also foreign to people in many newsrooms. I
doubt if my college paper, The Review at the University
of Delaware, ever had a scarf-covered editor before me. I'm
not sure The News Journal in Wilmington, Del., where
I now work, has either.
At many newspapers, reporters and editors are primed to think
of the scarf in the "foreigner" category. And this is sometimes
reflected in their articles. Of course, a lot of my co-workers
have been terrific, taking my choice in stride. At The
Review, an editor once offered to tie-dye a scarf for
me. And at The News Journal, colleagues have sometimes
ooohed and aaahed over the scarves they like best.
These are the people who refuse to see the scarf as something
frightening or foreign. They see it instead as a symbol of
differences that can be understood rather than feared. They
treat it like a passport offering glimpses into another world,
a world where my mother and beloved friends beam beneath Italian
scarves or Egyptian hats, and where flowery Turkish "hicabs"
or shiny Pakistani "dupattas" adorn women at holiday celebrations.
I say to all of them: The door is open, and they're welcome
in.
Lina Hashem was a 1999 Scholar at The News Journal
in Wilmington, Del, where she now is a copy editor. Reach
her at lina_hashem@yahoo.com
Back to Top |