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How I ... wrote the story
A reporter tells her own story in weight-loss
series
In a widely
praised series on weight-loss surgery, Scholar Maria Montoya found a key to
reporting drama and emotion: She told her own story. Here is how.
By Maria Montoya
Reporter
The Times-Picayune, New Orleans
Posted: July 11, 2003
Maria’s project
Maria’s diaries
By Kathy Anderson, © The Times-Picayune
Maria Montoya and fiancé Don Weaver. Montoya's relationship with
Weaver influenced her weight-loss efforts. |
We tell other people's stories every day of the
year. But every once in a while, we find that our own lives are worthy of
the telling.
Such was the case for me last Summer when I embarked
on a journey to undergo weight-loss surgery. As I researched the subject,
I contemplated the possibility of sharing my experiences with our readers.
By doing so, I thought I would be able to personalize the obesity epidemic.
Never did I realize just how much of an impact
my words would have.
From the start of the project, my goal was to
cover every part of the emotional, financial, physical and sociological challenges
that patients of weight-loss surgery face. In addition to finding subjects
to share their stories, I knew I wanted to capture the complexity surrounding
obesity through my own journal entries.
When I presented the idea for the series to my
editor, he suggested we focus primarily on my own struggles to lose weight.
To me, however, there was a bigger story to be told.
My editor trusted my instincts. He allowed me
the freedom to explore all of it in five days' worth of stories, which included
a cross-section of individuals at different phases in their battles with weight.
Along the way, there were many moments when I
doubted that I could achieve my goal.
Night after night, I thought to myself, “Am I
being fair and unbiased in my reporting? Is it right of me to be so open with
so many people? And will anyone even care about the lives of those I am writing
about, or, better yet, my own life?”
It took me nine months to report “Drastic Measures."
Never once did I stop questioning myself.
In a strange way, I believe that my self-doubt
and fears of bias in my reporting kept me on my toes. As I interviewed subject
after subject, I found myself trying to come at the issues from different
perspectives.
How will a thin person view this 689-pound woman?
What will the thin person want and need to know?
And finally, I asked myself over and over, “How
can I illustrate the scope of this epidemic to someone who never has known
an obese person or suffered weight problems themselves?”
In the diaries I kept, I wanted to be sure readers
felt as if they were going through the process with me. That meant details.
My editors and I were then able to divide the entries in a way that made them
fit with each day’s theme. The key to the diaries was my writing down every
detail at the time. As the year progressed, I was able to weed out what in
retrospect seemed less important.
In my first-read through of the diaries, I answered
all my concerns about being so public about my journey.
I discovered something important: Even if the
journals didn’t help anyone else, they had helped me, both as a writer and
as a person.
As a journalist, the entries forced me to focus
on details. More personally, the diaries allowed me to understand, for the
first time, how much I had endured in my short life.
As for the writing in the rest of the series,
I am just as proud. When I was an apprentice at USA TODAY after graduation,
my longest story was 12 inches. In "Drastic Measures," the Day One
lead story -- without sidebars -- was 300-some inches long.
The five-part series ran on the cover of our
Living section April 6-10, 2003. In the first month after it ran, I received
more than 250 e-mails and phone calls from readers. Only four were negative.
Readers from across the country, many of whom
were in town for the Final Four and the American Society of Newspaper Editors’
convention, said they were “astounded” and “proud” to see The Times-Picayune
write about the subject. I am particularly proud of the feedback I got from
the local medical community and from national health-care officials.
One doctor wrote, “I’ve never seen such a detailed,
more even-handed presentation of both the risks and the benefits of obesity
surgery anywhere in my 30-year career as a surgeon. I congratulate you, your
photographer, and all the others on the newspaper staff who have personalized
the plight of the morbidly obese for all your readers to understand.”
At this stage in my short career, I have no regrets
about the series. I was fortunate to work with a group of editors and copy
editors who were incredibly sensitive about the personal nature of the series.
Not one graphic, photo or word went into the project that I didn’t review
at least a dozen times. Their patience and long hours of dedication are, in
essence, what kept me going on many of those late nights.
I would not do one thing differently.
My advice to Chipsters wanting to take on their
first big project or first-person piece: Forge ahead. There always is room
for another voice.
Maria Montoya was a 1999 Scholar at The
Greenville (S.C.) News. Reach her at mmontoya@timespicayune.com.
About the column
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